The continuation of this chapter describes a character’s very first signs of significant mental illness. In the novel overall, the character of Billie Rae is relatively minor; but the looming presence of her illness is pervasive, as it is in the lives of all who have significant illnesses, and all those who surround them and love them.
Billie felt like her sister was making her play a game she didn’t have no understanding of. She would get all excited when she knew Carol was coming, but always ended up feeling confused and sad and like she had done something wrong.
“When are you gonna come home?” Billie would say. “At least for a little longer?” At least.”
Carol would give a long sigh, partly like she was sad, but partly like she was mad, too. “I’m sorry, kiddo. You’re on your own here now. You’re just gonna have to do the best you can.”
Carol would sigh again, and look towards their mama’s bedroom door. “Tell her I said good-bye, OK?” Then she would get all soft and touch Billie ever so tender on her chin, or stroke at her hair a few more times. “You’re my beautiful baby sister, Billie Rae.” She barely made a sound as she went out the front door and closed it behind her.
Billie went over to the mirror, trying to figure if she was beautiful like Carol said. She turned her head this way and that, checking the fancy hairdo Carol had pinned up from all different angles. “How lovely you look today, my dear,” she said to her reflection, and burst into giggles. She ran to the bathroom and dug through a pile of things that had not been touched for many years, pawing and turning til she reached in and grabbed up an old tube of coral-colored lipstick that belonged to her mama. Filled up with boldness that come from her sister’s visit, Billie plucked the top off and peered at the waxy crayon of color deep inside. She held the tube up so close to her face while she slowly swiveled its bottom, that her eyes crossed. Billie balanced her hips on the edge of the bathroom sink so she could lean way in, her toes dangling in the air, and drew a precise outline of her mouth. Patting her lips together just like the movie stars she seen on TV shows, she batted her eyes at the reflection that looked back at her, and jumped down from the sink to stand back and admire her handiwork.
Billie pretended to take a couple of puffs from an imaginary cigarette, and in a fake English accent, said “Really, darling, that new hair…”
She stopped in her tracks. Right there in the middle of that sentence. “This is wrong, she thought. All wrong. I am all wrong.”
She stood there stock still, and a whisper of a word came out of her mouth: “no.”
Billie Rae unrolled a fistful of toilet paper and went to feverish work on her painted lips, wiping and scrubbing at them over and over. Not even thinking or caring about the walloping she might be getting later on, she tore the lid off her mama’s cold cream, thrust her fingers into the jar and slapped a heap of the goo all around her mouth, scouring at it with a fresh wad of toilet tissue. Looking back into the mirror, she let out a faint wail at what she saw.
Paintings, top to bottom: John Ward, Alia E. El-Bermani, Pablo Picasso
2 Replies to ““The Story’s Told,” excerpt from the novel “Pushing the River””
This is an interesting twist on “A Look Inside” A very different approach…I like it! …And the examination, as well.
Hey, thanks so much, John!